The 5 Jāthis & 7 Thālās
In the previous blog, we saw how, why and where the concept of Jaathi emerges. We saw that Laghu being the variable, is the link that connects the world of Thaala to the concept of Jaathi. Jaathi is the factor…
In the previous blog, we saw how, why and where the concept of Jaathi emerges. We saw that Laghu being the variable, is the link that connects the world of Thaala to the concept of Jaathi. Jaathi is the factor…
While Laya refers to the timing aspect of music, Carnatic music requires a tangible and structured framework to measure and organise this perceived time. That framework is called Thaala. What is Thāla? Thāla is a framework used to measure and…
In Carnatic music, Shruthi and Laya are often compared to Pārvatī and Parameshvara, symbolising the equal importance of these two fundamental aspects of music. In the previous blogs, we explored concepts related to the Shruthi aspect of music, such as…
Before trying to understand Katapayādhi Sūtra, it is strongly recommended to know about Melakartha Rāgas. You can read about them here. What is Katapayādhi Sūtra in Carnatic Music? Katapayādhi Sūtra is an ancient numerical encoding system used to determine the…
Before understanding Janya rāgas, it is recommended to first understand Melakartha Rāgas. You can read about the same here. Janya Rāgas are rāgas derived from the 72 Melakartha Rāgas. Or we could say a rāga becomes a Janya rāga if…
Janaka Rāga Janaka, Melakartha, or Mela Rāga are all different names for the same. A rāga can be called a Melakartha Rāgā if it satisfies the following conditions: Sampoorna Rāga: A rāga that has all seven swaras in both its…
What is a Rāga? A Rāga is a set of swaras that has its own rasa. Note: A Rāga must never be defined only as a set of swaras without referring to the aesthetic identity, expression, emotion and experience it…
What are Shruthis? The word Shruthi is used in many contexts. Modern Carnatic performance operates within the 12 Swarasthanas. The 22 Shruthi model belongs primarily to historical and theoretical discussions. 22 Shruthi system To understand the 22 Shruthi system, knowing…
We have already discussed what Swaras are and their types. We also know now that some swaras (vikruthi swaras) have different variants. So, in an octave, we now have: S, R1, R2, R3, G1, G2, G3, M1, M2, P, D1,…
Swaras are musically significant pitch identities understood in relation to the chosen Aadhara Shruthi. The seven swaras (Saptha-swaras): Sa, Ri, Ga, Ma, Pa, Da, Ni are the Sapthaswaras. Among the seven, Sa and Pa are called Prakriti swaras. What does…